Any time you go to a concert to see somebody perform, you can expect your
share of up and downs - and true to form, this concert at the Music Box
in Omaha, Nebraska had plenty of both.
Standing outside the club waiting to get in, there was a profound lack of
knowledge about Digital Underground's career being discussed. One person
in line in front of me outright stated they were "popular in the late
80's and early 90's, and hadn't done anything since then." I had to
point out that Digital Underground had been releasing albums all
throughout the 90's including the recent "Who Got the Gravy?" release.
Then somebody else said "I heard they're still popular in Oakland."
What can you do but just throw up your hands at that kind of stuff?
Showing up right as the club opened probably wasn't the right decision.
On the plus side, it gave me a good amount of time to drink and get my
buzz on before the opening act, on the minus side it was a whole two
hours we had to kill before the first act came on. Ill Dojo was their
name, and as it turns out Michelle and I both know their guitarist from
having run into him at a wedding (he's either family or a friend of
somebody in the family) - his name's Chet. Anyway Ill Dojo is one of
those new rap-rock groups whose style is somewhere between Papa Roach
and Limp Bizkit. It's not my favorite kind of music, but for a rap-rock
group and especially for one that's local I thought they came off nice.
The time between the end of their set and the start of D.U.'s set is
a bit of a blur for several reasons. One is that I was trying as hard
as I could to get a buzz on before the show (had more than a few beers
plus a sex on the beach and an L.I.I.T.) Another is that a seemingly
random cacophony of rappers took and left the stage at various times.
I think one was a local group called "Verballly Insane" and at first
I thought they were "Totally Insane" from the Left Coast. The last
group was comprised of Digital Underground's touring DJ and a couple
of MC's who I can only assume were roadies, who kept us waiting and
kept asking if we were ready for Digital Underground. Yes, we were!
What I wasn't ready for was the fact that one of the roadies took an
EA Sports game and flung it into the audience - and as it bounced off
several people's hands it came straight at me when I wasn't looking
and suddenly I caught a mouthful of Madden, the HARD WAY. Teeth aching
like a motherfucker and I'll probably have a fat lip to boot.
But before D.U., they brought on a group of b-boys and b-girls all
dressed in matching red shirts. They made us back up about ten to
twelve feet from the stage to give them enough room to dance, and
then they proceeded to do a variety of pop-locking, back-spinning,
robot motions, you name it they did it. The best thing about it
was they used old school hip-hop entirely before 1989 - everything
from "The Breaks" by Kurtis Blow to "Microphone Fiend" by Rakim.
Finally, after all this preamble, the performance from Digital
Underground's touring group, and the breakers, Shock G and Money B
finally took the stage. The strains of "Sex Packets" was what
brough them on. Behind them on stage was a large tarp decorated
with all six D.U. albums from left to right on the top and eight
albums listed underneath - three from 2Pac, one from Raw Fusion,
a solo album by Money B and several others. The beginning of the
show was a medley of various hits, concluding with the D.U. verses
from 2Pac's song "I Get Around" where they got the whole crowd to
chant along "Round and round, round we go."
The downside of this
is that while they were performing the intro they took cans of
silly string and sprayed it into the crowd. I have nothing at all
against silly string, but the fact is that it comes out slippery
and when it hits the ground it's even more slippery. Result, a
complete loss of traction in the front row; making it even easier
for people who want to shove their way up to the front to push and
slide you around. My girl got some right in the eye too. :(
Things got a little messy after that. Digital Underground decided
to perform "Freaks of the Industry" and of course I'm hyped about
that since it's one of my all-time favorites from their first album.
But then they've got some bead necklaces hanging over the mic up on
stage; you know, like the ones that are given out at Mardi Gras.
They proceed to entice women to come up to the stage and vehemently
protest that you've got to "earn these." As a result while the song
is going on these women proceed to take off their bras, lift up their
shirts, and expose various parts of themselves to us in many ways.
The side effect of this is a bumrush of horny men in various stages
of drunkenness rushing up to the stage to see this, and as a result
a fight broke out between two people right next to us. I nearly
got bowled over, and Michelle caught a punch to the shoulder. Some
people got between them to break it up, but by this time my girl was
fed up and headed for the back of the club to take refuge from the
madness and the flashing tits in front of her.
D.U. caught me off guard with one song I clearly didn't recognize about
ecstasy, whose hook I can best remember as "take this ex, you'll feel
good soon, you'll be giving me head in my hotel room" or something to
that effect. Even if it's from 'Who Got the Gravy' I don't remember
it but I thought I honestly knew all the D.U. songs. Then again, they
were performing songs by other groups and artists all night long,
including "I Got 5 On It" by the Luniz, at which point one of the
stage crew actually lit a joint and passed it to everybody standing
in the front row. People around me were getting MAD blitted on it.
Afterwards they performed "Same Song" and at one point Shock G leaned
from the stage and stuck the mic right into my face. Unfortunately
due to the fact I was dazed and drunk I babbled even though I know
Tupac's verse by heart and probably only managed get right the line
when he says "same song" at the end. For the guy who runs OHHLA this
is extremely embarassing, but not near as much so as getting shoved
down to my knees afterwards due to the slippery floor and the fact
someone bumrushed me hard from behind. I got helped up before someone
stomped on me but after that point I locked my knees hard - resulting
in the fact I could barely walk after the show was over - and I crossed
my arms in what people would typically call a "b-boy stance" to lock
my elbows in - when people tried to shove me again I literally went
and "throwed them 'bows" to keep my spot in front of the stage.
The rest of the concert was pretty much as expected, right up to
them closing with a remixed version of "Doowhutchalike" and then
closing with the "Humpty Dance." I have to say, and I'm not trying
to diss on my midwestern brethern, but it's really strange to hear
somebody with practically a hillbilly accent screaming out "Shock G
you're the maaaaaaaaaaaan!" while he's standing on stage with his
Humpty Hump nose and a pimp style overcoat on. I was actually
pleasantly surprised that they closed the show after this without
any cheesy "encores" though, and that I got to slap hands with both
Money B and Shock G during the course of the show.
Plus side - they did their most recognized hits, they had a very high
level of energy, and their performance on the stage lasted at least
an hour if not more. There was plenty of crowd participation, and the
people in the club were definitely feeling the Digital Undergorund vibe.
Minus side - they didn't perform almost anything more recent than "Kiss
You Back" and certainly didn't cover any material from "Future Rhythm"
or "Who Got the Gravy?" I really wish they had at least done "Oregano
Flow" or Shock/Humpty's verse out of "The Odd Couple." On top of that
the silly string was really a bad idea (led to many near injuries and
may have at least contributed to the fight) and getting the women to
disrobe during "Freaks of the Industry" damn near caused a riot.
Overall for $10 I can't complain. It's not the best concert that I've
ever been to, but it wasn't the worst either.
Peace, Flash